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Kerry James Marshall, Voyager, 1992, acrylic and collage ~ above canvas, Corcoran collection (Gift of the Women’s Committee of the Corcoran collection of Art), 2014.79.52


The phrasebody the workrefers to the production of a solitary artist, writer, or composer. So doescorpus(Latin forbody) andoeuvre(French forwork). Such terms become literal through the artist’s explicate of the body itself. This permanent collection installation concentrates on works of arts made end the previous 50 years that reimagine the human kind as a site of fantasy, fear, and also travail. Together the critic Britt Julious reminds us, “Art is as much around labor as it is around interpretation.”


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Bob Thompson, Tree, 1962, oil top top canvas, repertoire of Barney A. Ebsworth, 2000.39.3


Taken together, this paintings and sculptures suggest just just how much modern artists continue to grapple with the plenty of different means that the body has figured in the history of arts and wider historical narratives. Bob Thompson’s majesticTreefuses two consecutive key (Volaverunt and Quien lo creyera!) fromLos Caprichos(1797–1799), Goya’s scathing publish portfolio, and morphs the human numbers into violent creatures. In Kerry James Marshall’s Voyager, the artist pictured two black figures in a little boat with the name Wanderer, referring to the last recorded slave delivery to soil in the unified States. Together Marshall has said, Voyager “embodies those concepts of transformation, that birth and also rebirth,” situating the human body in a procedure of constant change.

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body of work-related

Rozeal (formerly well-known as iona rozeal brown), afro.died, T., 2011, acrylic, pen, ink, marker, and also graphite on birch plywood panel, Corcoran collection (Museum purchase with funds detailed by the Women"s Committee the the Corcoran gallery of Art), 2015.19.243


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body of work

Bob Thompson, Tree, 1962, oil ~ above canvas, arsenal of Barney A. Ebsworth, 2000.39.3


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body of work-related

Yinka Shonibare, Girl on world 2, 2011, fiberglass mannequin, dutch wax published cotton, and also globe, Corcoran arsenal (Museum Purchase, through exchange: william A. Clark Collection), 2015.19.3962


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body of work-related

Lynda Benglis, 1st Wax Work, 1966, purified pigmented beeswax, dammar resin, and also powdered aniline dye ~ above Masonite, Dorothy and Herbert Vogel Collection, 2016.11.4


bodies of job-related

Lynda Benglis, Untitled, 1971, purified pigmented beeswax, dammar resin, and also gesso on fragment board, The Dorothy and Herbert Vogel Collection, Ailsa Mellon Bruce Fund, Patrons" irreversible Fund and also Gift the Dorothy and also Herbert Vogel, 1991.241.31


body of work-related

Jasper Johns, Perilous Night, 1982, encaustic and silkscreen ~ above canvas with objects, Robert and also Jane Meyerhoff Collection, 1995.79.1


bodies of occupational

Kerry James Marshall, Voyager, 1992, acrylic and collage top top canvas, Corcoran repertoire (Gift that the Women’s Committee the the Corcoran gallery of Art), 2014.79.52


bodies of job-related

Ann Hamilton, body object collection #1, chair, 1984, published 1991, gelatin silver print, Gift of the Heather and Tony Podesta Collection, 2011.144.7


bodies of work

Ann Hamilton, body object series #11, boot, 1984, published 1993, gelatin silver- print, Gift of the Heather and Tony Podesta Collection, 2006.159.5


body of occupational

Ann Hamilton, body object collection #12, door, 1984, printed 1993, gelatin silver- print, Gift of the Heather and also Tony Podesta Collection, 2006.159.6


body of work-related

Ann Hamilton, body object collection #13, toothpick suit/chair, 1984, printed 1993, gelatin silver print, Gift the the Heather and also Tony Podesta Collection, 2006.159.7


body of occupational

Ann Hamilton, body object collection #2, stool, 1984, printed 1991, gelatin silver- print, Gift the the Heather and also Tony Podesta Collection, 2011.144.8


bodies of work-related

Ann Hamilton, body object collection #3, shoe, 1984, published 1991, gelatin silver- print, Gift of the Heather and also Tony Podesta Collection, 2011.144.9


body of work

Ann Hamilton, body object collection #4, cloth, 1985, printed 1991, gelatin silver print, Gift the the Heather and also Tony Podesta Collection, 2011.144.10


bodies of work-related

Ann Hamilton, body object collection #14, megaphone, 1986, printed 1993, gelatin silver print, Gift of the Heather and Tony Podesta Collection, 2006.159.8


bodies of work-related

Ann Hamilton, body object series #6, particle suit, 1987, published 1991, gelatin silver- print, Gift that the Heather and also Tony Podesta Collection, 2011.144.11


body of work

Ann Hamilton, body object collection #16, flour, 1993, gelatin silver print, Gift that the Heather and also Tony Podesta Collection, 2006.159.10


bodies of work

Andy Warhol, Self-Portrait, 1986, man-made polymer paint and also silkscreen octopus on canvas, Gift the the Collectors Committee, 2000.28.1


bodies of work

Chuck Close, Fanny/Fingerpainting, 1985, oil top top canvas, Gift the Lila Acheson Wallace, 1987.2.1


bodies of work-related

Barkley Leonnard Hendricks, Sir Charles, Alias Willie Harris, 1972, oil ~ above canvas, wilhelm C. Whitney Foundation, 1973.19.1


bodies of work

Janine Antoni, Lick and Lather, 1993, complete collection of fourteen busts: seven in chocolate and seven in soap top top fourteen pedestals, Gift that the Collectors Committee, 2016.49.1


body of work-related

Byron Kim, Synecdoche, 1991-present, oil and also wax ~ above lauan plywood, birch plywood, and also plywood, Richard S. Zeisler Fund, 2009.39.1.1-560


body of work

Felix Gonzalez-Torres, "Untitled" (Ross in L.A.), 1991, publish on paper, countless supply, Gift of the Collectors Committee and also Emily and also Mitchell Rales, 2017.51.1


bodies of occupational

Glenn Ligon, Self-Portrait (VIII), 1996, silkscreen octopus on canvas, Corcoran arsenal (Gift of the Women"s Committee of the Corcoran gallery of Art), 2015.19.5301


bodies of work-related

Glenn Ligon, Self-Portrait (X), 1996, silkscreen octopus on canvas, Corcoran arsenal (Gift that the Women"s Committee the the Corcoran gallery of Art), 2015.19.217


body of job-related

Glenn Ligon, Untitled (I am a Man), 1988, oil and enamel on canvas, Patrons" permanent Fund and Gift the the Artist, 2012.109.1


body of work-related

Ross Bleckner, Birds Falling, 1994-1995, oil on canvas, Gift of Anthony T. Podesta, Washington, DC, 1998.106.1


body of work-related

Kiki Smith, Seer (Alice II), 2005, cast iron, Gift of Anne and also Joel Ehrenkranz, 2014.142.1


bodies of work-related

Arlene Shechet, Twin Rockers, 2007, ceramic, steel, acrylic, and also plywood, Gift that Anne and Joel Ehrenkranz, 2016.9.3


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Yinka Shonibare, Girl on globe 2, 2011, fiberglass mannequin, netherlands wax printed cotton, and also globe, Corcoran arsenal (Museum Purchase, through exchange: wilhelm A. Clark Collection), 2015.19.3962


InGirl on globe 2,British Nigerian artist Yinka Shonibare employs dutch wax-printed cotton to do a mannequin’s victor dress. This fabric—made in the Netherlands, influenced by Indonesian batiks, and marketed to african buyers—packs in recommendations to colonialism and globalization. The world itself bears a warm map that describes climate change, if the headless figure is meant to suggest the beheadings that the French transformation as well as the erasure of identity. In the absence of a head, we emphasis on the body: the nexus that pain, pleasure, and politics of an excellent interest come artists due to the fact that the 1960s. Together Ta-Nehisi Coates write in between the World and Me, “Our people is physical. Discover to play defense—ignore the head and keep her eyes on the body.”


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Janine Antoni, Lick and also Lather, 1993, complete collection of fourteen busts: 7 in chocolate and also seven in soap on fourteen pedestals, Gift that the Collectors Committee, 2016.49.1


In the critical half-century, in particular, artists have resisted any type of singular technique to portraying the human being body. Underscoring this point, valley Ligon, Barkley Hendricks, and also Andy Warhol have made portraits that themselves and others making use of double, triple, and also even quadruple images. Janine Antonicast 14 self-portrait busts, each the same in shape until the artist carried out the task of licking the seven chocolate busts and bathing v the seven soap busts (hence the happy title,Lick and Lather).The artist’s plot of self-erasure differentiates she “self-portrait” from she self,a have fun on the inherently variable nature of actors sculpture as a reproductive medium.

Alternatively, an artist may existing an impression, observation, or conception of who with tiny or no comprehensive description: it need not it is in mimetic. Portraits may also be abstract or represent only a single part of an individual.


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Byron Kim, Synecdoche, 1991-present, oil and wax on lauan plywood, birch plywood, and plywood, Richard S. Zeisler Fund, 2009.39.1.1-560


Byron Kim’sSynecdochecomprises 560 “skin portraits” of people presented alphabetically by first name in a grid. Its title describes a number of decided in which the entirety represents the part, or the component the whole. As a work-related of ongoing portraiture (Kim regularly adds new panels), it is literally and figuratively a “body the work.” Kim has said the this project,

What is this whole?Is the a totality so complex that that disintegrates at the very moment the examination? … once we look at this group portrait, some of us might assume particular things about the gyeongju composition the its sitters. Together the an equipment of this work, I know that over there are plenty of white civilization who show up to be black once represented in this severely abstracted manner. It goes there is no saying that the converse is true. Furthermore, there room so plenty of different colors across any solitary person’s body and those colors change, occasionally drastically, from component to component and indigenous season come season.

The substantial grid of monochromatic rectangles raises questions about the interdependent nature of people’s identifying characteristics.


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Felix Gonzalez-Torres, "Untitled" (Ross in L.A.), 1991, publish on paper, limitless supply, Gift of the Collectors Committee and also Emily and Mitchell Rales, 2017.51.1


Felix Gonzalez-Torres damaged down barriers between art and also its audience by encouraging participation, expanding concepts the originality and authorship, and an overwhelming notions that ownership.

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His paper stacks call for the viewer to finish their definition by removed a piece of document from the whole. Together viewers take sheets, the work gradually disappears; the is fix up as record is added at the discretion the the owner. Thus, the work becomes a an allegory for cycles that life and death, regeneration and decay. “Untitled” (Ross in L.A.) is specialized to Gonzalez-Torres’s partner, Ross Laycock, who died in 1991 from complications of AIDS, the pandemic that would insurance claim Gonzalez-Torres five years later. The temporal nature of Gonzalez-Torres’s work, always in process and transforming that shape, echoes the ever-changing nature that portraiture itself.